Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

woordenboeken --- Nederlands --- * 831 --- taalkunde Nederlands - encyclopedische werken --- 801.3 --- Woordenboeken 033.5 --- 831 --- WNT --- Woordenboeken --- Nederlands: woordenboek --- 801.3 Lexicografie. Woordenboeken --- Lexicografie. Woordenboeken --- Encyclopedische werken enz. * --- Zonder onderwerpscode: algemeen --- Dutch language --- linguïstiek --- woordenboek --- Néerlandais (Langue) --- Dictionaries --- Dictionnaires

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

29 p.

woordenboek --- French language --- Dutch language --- Dutch --- Dictionaries --- French --- Frans --- Woordenboeken. --- Franse taal --- Nederlandse taal --- Frans woordenboeken. --- Woordenboeken: Frans. --- Franse taal ; woordenboeken --- Nederlands. --- Frans. --- Néerlandais (Langue) --- French. --- Dictionnaires français --- Français (Langue) --- Dictionnaires néerlandais --- 801.3 --- 804.0 --- taalkunde --- woordenboeken --- Frans, vertaalwoordenboeken --- Naslagwerk --- vertalend woordenboek --- Woordenboeken --- (038) --- 831 --- Frans-Nederlands --- vertalende woordenboeken --- Vertalingen --- #SBIB:032.AANKOOP --- #SBIB:03H2 --- #SBIB:REFCOLLECTIE --- #KVHA:Frans. Woordenboeken; vert. Nederlands --- #KVHA:Kantoor Becks --- #KVHA:Kantoor Frans --- #KVHA:Woordenboeken. Frans; vert. Nederlands --- 032 --- AA / International- internationaal --- Woordenboeken 033.5 --- 030.8 --- Nederlands --- #A9903A --- 804.0 Frans. Franse taalkunde --- Frans. Franse taalkunde --- 801.3 Lexicografie. Woordenboeken --- Lexicografie. Woordenboeken --- linguistique --- dictionnaires --- Encyclopedische werken enz. * --- Woordenboeken in vreemde talen --- Lexica --- #KVHA:Nederlands. Woordenboeken; vert. Frans --- #KVHA:Woordenboeken. Nederlands; vert. Frans --- Nederlands-Frans --- Woordenboeken in vreemde talen. --- 831 Frans --- 831 Nederlands --- Taalverwerving --- Frans: woordenboek --- Woordenboek --- Dialect --- Etymologie --- Fonetiek --- Idioom --- Zinsleer --- Linguïstiek --- Vlaams --- Vlaanderen --- Emigratie --- French language - Dictionaries - Dutch --- Dutch language - Dictionaries - French

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Michiel Coxcie lived to the age of 93 and witnessed all the important political, religious, economic and artistic upheavals of the sixteenth century. He was born just before Gerard David raised the art of the Flemish Primitives to its final pinnacle and did not die until the young Rubens had returned to Antwerp from Cologne. He must have known Quinten Metsijs, Joos van Cleve and Pieter Coecke van Aelst. Willem Key and Frans Floris were younger contemporaries, and Bruegel was of the next generation. He outlived them all. During his time in Italy in the 1530s he knew Michelangelo, and was said to be a friend of Giorgio Vasari. Titian, the Venetian prodigy, sent him pigments to help him finish his copy of Jan van Eyck's Adoration of the Mystic Lamb, and he even painted frescoes in the old Basilica of St Peter in Rome. Few people have led such a fascinating life as Michiel Coxcie. He was a celebrated painter, inundated with prestigious commissions from important clients. He had spent some ten years in Rome where he studied classical antiquity and the art of Renaissance masters like Raphael, Michelangelo and Da Vinci. Back in his the low Countries, Coxcie designed altarpieces, stained-glass windows and tapestries for clients in Brussels, Antwerp and Mechelen. The pinnacle of his career was his appointment as court painter to Emperor Charles V and Philip I. This book focuses on the multifaceted oeuvre of a highly talented yet all but forgotten master who, by introducing the art of the Italian High Renaissance into the Netherlands, earned himself the epithet of the 'Flemish Raphael'.

Coxie, Michiel [Elder] --- Painting, Dutch --- Art, Dutch --- Painting, Renaissance --- Peinture hollandaise --- Art néerlandais --- Peinture de la Renaissance --- Exhibitions. --- Exhibitions --- Italian influences --- Expositions --- Influence italienne --- Coxcie, Michel, --- italianisanten --- contrareformatie --- renaissance --- Coxcie, Michiel --- Filips II (Koning van Spanje) --- 16de eeuw --- Rome --- Nederlanden --- Art néerlandais --- Coxcie, Michel --- Painting [Renaissance ] --- Flanders (Belgium) --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- Coxie, Michiel --- Van Coxcyen, Michiel --- Coxcien, Michiel --- Coxius, Michiel --- italianisanten. --- contrareformatie. --- Coxcie, Michiel. --- Filips II (Koning van Spanje). --- 16de eeuw. --- Rome. --- Nederlanden.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art, Dutch --- Italians in art --- Art néerlandais --- Art hollandais --- Italiens dans l'art --- Exhibitions --- Italian influences --- Expositions --- Influence italienne --- Italy --- Italie dans l'art --- In art --- Exhibitions. --- reisimpressies --- italianisanten --- landschappen --- Grand Tour --- 1800 --- 18de eeuw --- 19de eeuw --- Italië --- Rome --- Nederland --- Art néerlandais --- Art, Modern --- Landscape painting, Dutch --- Dutch landscape painting --- Modern art --- Nieuwe Ploeg (Group of artists) --- Dutch art --- Ploeg (Group of artists) --- reisimpressies. --- italianisanten. --- landschappen. --- Grand Tour. --- 1800. --- 18de eeuw. --- 19de eeuw. --- Italië. --- Rome. --- Nederland.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

By examining their production practices in a variety of genres — including manuscript illustration, glass painting and staining, tapestry manufacture, portrait painting, and engraving — this book explores how Netherlandish artists migrating to England in the early modern period overcame difficulties raised by their outsider status. This study examines, in five case studies, the challenges of alien status to artistic production and the effectiveness of cooperation as a countermeasure. The author demonstrates that collaboration was chief among the strategies that these foreigners chose to secure a position in London's changing art market. Curd's exploration of these collaborations primarily follows Pierre Bourdieu's model of "establishment and challenger" in which dominance in a field of cultural production depends upon how much cultural, political, and economic capital can be accumulated and the effectiveness of the strategies used to confront competition.

History --- Nederlandse kunstenaars in Engeland --- Art --- Bloteling, Abraham --- anno 1400-1499 --- anno 1600-1699 --- anno 1500-1599 --- United Kingdom --- Netherlands --- Flanders --- England --- Art, Flemish --- Art, Dutch --- Expatriate artists --- Flemings --- Dutch --- Art flamand --- Artistes expatriés --- Flamands --- Néerlandais --- manuscripten --- glaskunst --- tapijtkunst --- hofkunst --- grafiek --- Hone, Galyon --- Hyckes, Richard --- Lely, Peter --- Blooteling, Abraham --- 1460 - 1680 --- 15de eeuw --- 16de eeuw --- 17de eeuw --- Vlaanderen --- Nederland --- Engeland --- 7.075 --- Kunsthandel. Kunstbemiddeling. Activiteiten van promotors; managers; producers --- 7.075 Kunsthandel. Kunstbemiddeling. Activiteiten van promotors; managers; producers --- Artistes expatriés --- Néerlandais --- Ethnology --- Artists, Expatriate --- Exiled artists --- Artists --- Exiles --- Dutchmen (Dutch people) --- Hollanders --- Flemish art --- Dutch art --- Ploeg (Group of artists) --- Flemish people --- Nieuwe Ploeg (Group of artists) --- manuscripten. --- glaskunst. --- tapijtkunst. --- hofkunst. --- Hone, Galyon. --- Hyckes, Richard. --- Lely, Peter. --- Blooteling, Abraham. --- 1460 - 1680. --- 15de eeuw. --- 16de eeuw. --- 17de eeuw. --- Vlaanderen. --- Nederland. --- Engeland. --- Nederlandse school --- samenwerking van meerdere kunstenaars --- concurrentie tussen meerdere kunstenaars